![]() Currently, there’s 4:2:0 8-bit MP4 and Cinema RAW Light. Built-in ND filters (2, 4, 6), timeclock, LCD screen, metadata support and friendly workflow with DaVinci Resolve makes it hard to pass up as such a low price point.īut it was the lack of internal recording codecs, especially at 10-bit, that raised some eyebrows. ![]() Compressed CinemaDNG RAW files are available at 4:1, 3:1 and if ProRes is your go-to, it's selectable up to 4444 XQ. The Super 35mm 4.6K sensor (4608 x 2592) provides 15 stops of dynamic range capable of recording RAW CinemaDNG files to CFast 2.0 cards up to 60 fps. The URSA Mini made our "Best Of" last year but what we like about the URSA Mini Pro is its interchangeable lens mount that can be switched from EF, PL and B4. Here are our picks, alphabetized by manufacturer, for your reading pleasure. ![]() However, we’re all forgetful, so let’s hand out some “Best-Ofs” in the camera department.īefore you start scrolling down to the picks in bold to agree or disagree, we’re going to lay one simple ground rule: The equipment needed to be revealed or initially released in 2017. There was a metric ton of announcements from the usual tradeshow suspects like NAB, IBC, Cine Gear Expo, blah-blah-blah-and there’s no doubt many of you have bought, talked about or geeked out on the gear we’ve splashed on the pages of this site during those weeks. Snap, crackle, camera goodness! It’s almost time to flip the calendar year, but before we do, let’s take a look at some of the gear greatness that was announced or hit the shelves over the last twelve months.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |