![]() Producers throughout Hollywood turned him down, but Forman read it and hired Goldman to rewrite “One Flew Over the Cuckoo’s Nest.” Things changed after Goldman wrote his first screenplay, “Shoot the Moon,” about a mother of four whose husband has an affair with a younger woman. “I couldn’t support my family and I felt lousy about it.” “There’s a line in ‘Melvin and Howard,’ where Mary says of Melvin, ‘He can’t make any money and it makes him feel bad.’” Goldman later recounted. ![]() Poverty, he wrote, “lurks for me in the ring of every telephone call, at each mail delivery.” In 1954, Goldman had married Mabel Rathbun Ashforth, and they had six children together. In that time, Goldman worked intermittently in television, but the years were painfully lean. Goldman then toiled for years trying to get his Civil War musical, “Hurrah, Boys, Hurrah,” mounted. (Goldman was a lyricist.) It starred Farley Granger and Polly Bergen, but reviews were poor and it was judged a flop. He liked Bo and kept the name.Īfter serving three years in the Pacific during World War II, Goldman’s first play, “First Impressions,” was produced when he was 25. He dropped the second “b” in Bob after a college paper accidentally left it off. "My father was a ghetto kid who went from rags to riches, then lost everything, and having committed my life to mimic him in nothing, I am convinced I will equal him in this one respect: his ending, a downward spiral into two dingy rooms in a residential hotel and bankruptcy," Goldman wrote in a 1981 essay in The New York Times.Īttending Princeton, Goldman wrote for the Princeton Triangle Club, a theater troupe. As a young adult, Goldman learned that his father had had another family and never wed his mother. At his death, he retained only one store. But the Wall Street crash of 1929 wiped him out. His father’s clothing chain at one point had nationwide locations. 10, 1932, in New York, the son of an enormously wealthy businessman, Julian Goldman. ![]() I find life so wonderful, that to try to capture it in art is like trying to catch starlight." For me, film is unique it has a peculiar quality for recreating life. "I think there is nothing more fulfilling in the world than to see your view of life realized in art. "If there is a train of thought that runs through my work, it is a yearning, a longing to make the people real and capture their lives on the screen," Goldman told The Washington Post in 1982. Goldman said he thought of himself as a dramatist who happened to write screenplays. Those screenplays and more – the family drama “Shoot the Moon" “The Rose," with Bette Midler “Scent of a Woman,” with Al Pacino – made Goldman a widely considered master of screenwriting along with contemporaries like Billy Wilder and Paddy Chayefsky.
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